![]() ![]() Those same guitars are slowed down and detuned, with a clacking pulse behind them, as Khalid “puts my phone on silent” and tries to go about the business of romance on “My Bad.” Yet he’s thwarted at every turn. “No one really means it when they’re wishing you well / I got no one to call, no one / And people only love you when they’re needing your wealth,” he sings through a tangle of plucky repetitive guitars about the shaky, shallow ground he’s standing on once he’s reached the top. “it’s a shame you don’t want me,” intones Khalid through the tech-y stringed din of “Intro,” before swimming into “Bad Luck” with a mournful falsetto and a bushel-full of doubt. ![]() ![]() No longer surrounded by the fellow “young, dumb, and broke” high school pals of “American Teen,” Khalid must wade the machinations of his new world all on his own. This time, though, the problem with being Khalid has at least as much to do with fame and notoriety as the pre-existing condition of restless youth. But the first album’s sense of anxiety and insecurity remains. Everybody’s got to grow up someday, and for Khalid, two years of maturation has made something of a difference with “Free Spirit.” Here, at 21, the El Paso-raised vocalist and composer kicks - or shuffles - everything up a notch with a handful of fresh producers (including Digi, Charlie Handsome and Hit-Boy), richer, more lustrous sounds, and further explorations into AutoTune. ![]()
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